It was the summer of 1967 and The Doors’ single “Light My Fire” was racing up the Billboard music charts. The band found itself headlining large venues and even made an appearance on American Bandstand. But one date on the tour schedule might have stood out to front man Jim Morrison more than any other. (Not that he would’ve told anyone.)
On August 18, 1967, the band played an odd D.C. area double-header: a 7:30pm show at the National Guard Armory in Annapolis, Maryland, and a late night show at the Alexandria Roller Rink Arena in Alexandria, Virginia. It was the only time The Doors played two separate concerts at different venues in the same evening. And, for Morrison, it was a homecoming of sorts.
On July 23, 1942 Washingtonians packed Griffith Stadium to the gills for a special “Battle of Music” between African American jazz legend Louis Armstrong and white saxophonist Charlie Barnet. In segregated Washington of the 1940s, such an organized interracial competition was a big event and few people – especially in the black community that surrounded the stadium – wanted to miss the “musical fisticuffs.”
Chuck Brown, Trouble Funk, Rare Essence, Minor Threat, SOA.
If you lived in DC in the 1980s, you probably recognize these as local Go-Go and hardcore bands. If that's the case, the Corcoran Gallery of Art’s newest exhibit, Pump Me Up, is sure to invoke nostalgia. For those who have come here more recently, the exhibit offers a rare opportunity to see how much DC has changed in the last thirty years. (You definitely get a different image of the 80s than at a Legwarmers concert at the State Theatre!) Either way, it's worth a visit.
To put it mildly, the 1980s was a tumultuous period for the District of Columbia. There was a lot going on and homegrown music was right at the center of the city's experience.
Washington doesn't usually get mentioned in the pantheon of great American music cities but we've had our moments. One of them was Sunday, November 28, 1965 — 47 years ago today — when Bob Dylan played the Washington Coliseum.
Curiously, details about the concert itself are scarce — the Washington Post didn't bother to write a review (kind of surprising since Dylan was very well known by 1965), and Dylan's own website doesn't have a setlist from the show. But the singer's visit to Washington was significant for one now-famous image the concert produced.
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