The Wonderful Story of Henry Sugar feels like we’re being invited into a very personal Wes Anderson space, where he makes a deep-cut his own, while still venerating an author he clearly loves.
In the Land of Saints and Sinners is a film with one of the strongest Irish casts in recent memory and a script with frighteningly little to offer them.
Finally Dawnworks best as a pithy blurb summing up all that’s noteworthy about it, handily omitting the fact that everything that’s interesting about the finished product is stranded in an intolerably long and dull film.