In 1903 and 1938, Steinway & Sons gifted their 100,000th and 300,000th custom, art-case grand pianos to the White House. The pianos, crafted with the White House East Room in-mind, were unlike any other Steinway pianos ever produced — they had extravagantly painted cases, gold leaf designs, and intricately carved wood. The pianos quickly became beacons for art and culture in the East Room and Entrance Hall of the White House where the second one still resides today. Theodore, Edith, and Franklin Roosevelt utilized and dedicated these two Steinway pianos to help establish the White House as a hub for music in Washington moving forward into the 20th Century.
In the summer of 1892 Washingtonians had their hearts broken. After 12 years of conducting the United States Marine Band, John Philip Sousa, D.C. native and beloved conductor, submitted his resignation to the U.S. Marine Corps. He was leaving for Chicago, where he accepted an offer to serve as musical director of a new military-style civilian band. The public would not let their beloved Sousa go easy, and arranged a farewell testimonial concert where he could exhibit his grand conducting skills for an eager audience one more time. This concert served as the first of two farewell concerts for Sousa with the second taking place the very next day on the White House Lawn.
At 4:45 p.m. on January 31, 1930 the “new and shaky ensemble known tentatively as the National Symphony Orchestra of Washington D.C.” took the stage of the recently finished DAR Constitution Hall at eighteenth and C streets northwest. Conductor Rudolf Schueller and the musicians were welcomed into the hall by vigorous applause from an audience of 2,000 music-loving Washingtonians who eagerly awaited the newly established orchestra’s first notes. Arriving at this moment of glory did not happen easily, or quickly for that matter. While Washington is typically considered a capital of arts and culture today, this was definitely not the case in the early 1900s.
In 1956, the Woodward & Lothrop department store in Washington DC, located at 11th and F St NW, hosted a traveling exhibit purporting to showcase the “American Dream.” Woodward & Lothrop, or “Woody’s” as it was affectionately called, was a staple in the city for over one hundred years, from the late 1800s to 1995, when it merged with another company. During the "Era of Department Stores," a period lasting from the '30s to the '70s when department stores were the main mode of shopping for the American family, Woodward & Lothrop was the King of DC. This is probably why the store felt entirely comfortable hosting the “American Dream” exhibit, and the exhibit’s main draw: four watercolors painted between 1917 and 1919 by Adolf Hitler.
On June 8, 1918, Washingtonians looked to the sky hoping to see… well… something. But, many weren’t quite sure exactly what. As the Evening Star noted:
“There was a great craning of necks on the streets. Many a citizen who had read about the eclipse and forgotten about it, wanted to know where the aeroplane was…. One woman called up The Star and wanted to know whether the Marine Band ‘is playing on the eclipse.’ A reporter carefully explained that the Marine Band sometimes played on the Ellipse.”
For scientists at the U.S. Naval Observatory on Massachusetts Avenue, however, there was no confusion. The day marked an extraordinary astronomical event -- a transcontinental total eclipse -- and they pulled out all the stops to document it.
For the past 18 years, the United States Holocaust Memorial Museum has hosted the First Person program each summer. These programs are open to the public, and allow musuem visitors to listen to personal stories of Holocaust survivors, and to engage with them.
Those who travelled into the District in the early part of May could enjoy a rock concert, good food, and plenty of protesting. In May 1971, the culmination of months of anti-Vietnam protesting took hold of D.C., when thousands of young Americans attempted to block traffic, execute sit-ins, and make their voices heard.
“Immaculate” and “modern to the nth degree” read a Washington Post ad one December day in 1930. Sounds intriguing, but what dazzling, new technology was it describing? A television set? One of those new electric razors? Penicillin?
Decades before Venus and Serena Williams dominated women’s tennis on the WTA tour, the Peters Sisters — Margaret Peters, a.k.a. “Pete", and Roumania Peters, a.k.a. “Repeat” — from Georgetown, were unstoppable champions in the all-black American Tennis Association.
"The visions that baseball fans could conjure only in their fondest dreams will evolve as realisms at Griffith Stadium on Wednesday when spectacle will be heaped on spectacle, thrill piled on thrill. There, in a contest apart from all the rest, the dream game comes to life." Though few others described the mood as eloquently as Shirley Povich, many in the nation’s capital shared his excitement as Washington prepared to host its first baseball All-Star game in 1937.