• (Photo by Flickr user I Like licensed via Creative Commons.)
    Local Tastes
     
     
    Before the days of Half Smokes and Jumbo Slices, D.C.’s collective stomach rumbled for a different delicacy: diamondback terrapin.
  • Gold Steinway Piano gifted to Theodore Roosevelt in 1903
    Music History
     
     
    How two custom Steinway pianos became White House symbols for art and entertainment with the help of three Roosevelts
  • The National Symphony Orchestra at their first concert in 1930
    Music History
     
     
    How a ragtag group of cinema musicians started DC's transformation into a culture capital
  • Edgar Allan Poe, 1849
    Mysterious Poe
     
     
    Seeking a stable government job, Edgar Allan Poe embarked on an ill-fated trip to Washington in 1843
  • D.C. Nightlife
     
     
    Though Jimmy's extralegal line of work brought him unwelcome brushes with mobsters and the law, his story is not one of bootlegged booze or mysterious murders.

Washington Hosts the Midsummer Classic, 1937

Seven of the American League All-Star players, from left to right Lou Gehrig, Joe Cronin, Bill Dickey, Joe DiMaggio, Charlie Gehringer, Jimmie Foxx, and Hank Greenberg. All seven would eventually be elected to the Hall of Fame. (Source: Library of Congress)

"The visions that baseball fans could conjure only in their fondest dreams will evolve as realisms at Griffith Stadium on Wednesday when spectacle will be heaped on spectacle, thrill piled on thrill. There, in a contest apart from all the rest, the dream game comes to life." Though few others described the mood as eloquently as Shirley Povich, many in the nation’s capital shared his excitement as Washington prepared to host its first baseball All-Star game in 1937.

How the DC Improv Helped Stand-Up Grow Up

Jerry Seinfeld at the DC Improv. (Credit: DC Improv Archives)

In 1992, D.C. was rife with three “C’s”: Clinton, crack, and comedians. The first found a home in the White House, the second began to disappear from the streets, but the third—eager to make it as Stand-Ups—were left to wander in a city that offered them limited opportunities to perform. The opening of a new comedy club that July, the DC Improv, could not have come at a better time.

The Great White Hope at 50: Making All D.C. a Stage

The cast of The Great White Hope at Arena, 1967 (Credit: Arena Stage Records, C0017, Special Collections Research Center, George Mason University Libraries.)

It’s Washington in 1967, and the District’s old reputation as a sleepy, southern city is being squashed by the feet of Vietnam War protesters and the voices of Washingtonians calling for racial equality. That same year, local theatre Arena Stage announced that, on December 12th, it would be putting on the world premiere of Howard Sackler’s play, The Great White Hope. At the time of its production, the play was completely unknown. No one would have imagined that 50 years later, the production of the now-Tony-winning show would go down in history as one of the most influential moments in shaping the political and cultural landscape of Washington in the 1960s. 
 

The Little Italy Under the Parkway

The last three residents of Arlington's Little Italy: Josh (Guiseppe) Conduci, Carl (Carmelo) Conduci, and Philip (Filippo) Natoli. (Reprinted with permission of DC Public Library, Star Collection at Washington Post)

Few would believe that Arlington County once contained its own Little Italy – and few would recognize it if they saw it. Unlike the prototypical image of urban markets and crowded apartments, what Arlingtonians once referred to as "Little Italy" (or "Little Sicily") was an isolated makeshift village occupied by Italian quarrymen and their families on the banks of the Potomac, accessible only by footpath. 

Eat Anywhere! Mary Church Terrell, the Lost Laws, and the End of Segregation in D.C. Restaurants

Washington Afro American headline from June 9, 1953.

On Friday, January 27, 1950, Mary Church Terrell met three friends for a late lunch in downtown Washington. Terrell, then 86, entered Thompson’s Restaurant on 7th Street NW around 2:45pm with Rev. William H. Jernigan, Geneva Brown and David Scull. Their party was integrated – Scull was white while the others were black – however, Thompson’s Restaurant was not. Like most other D.C. eating establishments at the time, it was whites only.

As the group went about selecting entrees along the cafeteria line, Manager Levin Ange emerged and informed them that Thompson’s did not serve “colored” people. Terrell clarified, “Do you mean to tell me that you are not going to serve me?” When Ange confirmed that was the case, the group left the restaurant.

The chain of events was, of course, entirely expected. As a leader of Washington’s civil rights movement for half a century, Mary Church Terrell was well aware of Thompson’s policy. But she and the others didn’t go to the restaurant to be served. Rather they went with the expectation of being turned away – the necessary, if also demeaning, first step toward bringing a new sort of legal challenge, which they hoped would topple segregation in the nation’s capital.

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