Americans can’t seem to get enough of all things British. On US television networks in the past year or so, we’ve seen the debut of several remakes of British television series, some successful (Showtime’s Shameless, Syfy’s Being Human) and some less so (MTV’s Skins). Twenty-three million Americans got up exceptionally early to watch the Royal Wedding last spring and several million more got up not quite so early this past weekend to watch coverage of the Queen’s Diamond Jubilee celebrations from London.
Americans seem ravenous for imported British television. PBS stations nationwide have been achieving record-breaking ratings with hits from across the pond like Downton Abbey and Sherlock (5.4 and 3.2 million viewers, respectively). I think we’ve all probably experienced a friend (or possibly ourselves) under the influence of some form of Downton mania – the viewing marathons, the lack of sleep, the sudden obsession with Dan Stevens or interest in watching every film Dame Maggie Smith’s ever made. At a Sherlock premiere event for the show’s second series in New York, the cheers and screams for star Benedict Cumberbatch and creator Steven Moffat sounded like those at rock concert. It was pretty incredible.
Masterpiece (and Masterpiece Theatre before it) has always been fairly successful at captivating America with British programming. But lately, it seems that more people than ever are seeking these sorts of shows out. But, why? And why now?
[Insert cruel Steven Moffat/Mark Gatiss-style cliffhanger here, mwhahahaha]!
Want to read the rest? Click here to visit this post over at the British Council’s site and let me know what you think!