Statues

In a city full of monuments and memorials like Washington, not all of them can be beautiful. Exhibit A: The Temperance Fountain at Seventh Street and Indiana Avenue, NW. So how did we come in possession of this strange piece of public art?

If you take a stroll through Meridian Hill Park in Columbia Heights, you will find two noteworthy statues: on the lower level, a standing figure of the Italian poet, Dante Alighieri; on the upper terrace, an equestrian statue of the French saint, Jeanne d’Arc, or, Joan of Arc, anglicized. Interestingly enough, these two artworks were unveiled at the park within one month of each other—Dante on Dec. 2, 1921, and Jeanne following on Jan. 6, 1922. Walking past these serene bronze monuments, few would guess their pivotal role a century-old saga when rumored remarks in Washington led to riots in Europe.

When sculptor Henry Merwin Shrady, along with architect Edward Pearce Casey, won the commission to design the Capitol's Ulysses S. Grant Memorial in 1902, neither man was quite aware of the scope of the project with which they were getting involved. The monument had first been proposed in 1895 by the Society of the Army of the Tennessee, which wanted a grand way to honor the general who led the Union Army to victory during the Civil War. Shrady threw himself into the project that would consume his life — literally — over the next 20 years.

After a decade-long fight, Frederick Douglass became the first figure to represent the District of Columbia inside the U.S. Capitol—an emblematic victory that forced Congress to confront D.C.’s long struggle for recognition and equal representation.

The Washington, D.C. area has plenty of monuments and grand statues, to be sure. But Takoma Park, Maryland, has one that stands out from the rest: A life-size bronze likeness of a rooster on a pedestal, which thrusts his feathered chest jauntily at passers-by, as if it owned the town. Which, in fact, he once did.

The nation’s capital is chock full of statues, memorials, monuments, historic markers, and museums. Some are world-famous, some have been controversial, and some have been forgotten altogether. Horatio Greenough’s sculpture of George Washington has been all of these things – and more.