Dominic Charles

Go-go music is a signature Washington, D.C. sound and the D.C. Public Library has started an archive to preserve its history. Archivist Derek Gray is leading the charge and is seeking heirlooms related to the D.C. go-go scene: CDs and audio recordings of Chuck Brown and other go-go artists, flyers, posters, event advertisements, photographs, videos, DVDs, and other memorabilia. Help preserve the legacy of D.C.’s homegrown sound for future generations!

In 2005, Ethiopian restaurateurs led a campaign to rename a strip of Ninth Street between U and T Little Ethiopia, to reflect the contributions that Ethiopians made to the Shaw neighborhood over the previous decade.  These business leaders faced backlash, however, from Shaw’s African-American community who thought the renaming campaign discounted the neighborhood’s proud African-American history.

“There ain’t no party like an R.E. party, cause an R.E. party don’t stop.” Rare Essence, known around the DMV as “the most wickedest band alive,” has been one of the region’s most popular go-go acts for over 40  years despite several setbacks which could have easily ended the party.  

On June 11, 1989, 8,000 WHFS 99.1 listeners crowded into the parking lot in front of Joe’s Record Paradise in Wheaton, Maryland for an eight hour concert to protest, station owner, Duchossois Inc.’s, decision to remove Damian Einstein from the airways.  Damian introduced the DMV to the newest music before it exploded on the national scene, and his sudden absence from the airways shocked WHFS’s most loyal fans who feared that Duchossois intended to move on from the progressive rock format. Centered on the freewheeling deejay, the progressive rock format defined WHFS defined the station since 1968. 

Fans were right to be concerned.  Over the course of the next decade, WHFS ditched the deejay for “gold-throated “on-air personalities who aired songs from corporately manufactured playlists.  While these changes initially earned the station a score of new fans, by the end of the decade, it was clear that WHFS lost the loyal support of their “bumper-stickered fans” who felt as if they lost a friend.    

For the first time since 1979, the future of the city’s Summer Youth Employment Program was in doubt after Sharon Pratt Dixon took the helm for a disgraced Marion Barry in 1991.  One of Pratt Dixon's main political objectives was to tackle the enormous budget deficit left in Marion Barry's wake.  The Summer Youth Employment Program was one of the first programs to be slashed from the budget which meant, for the first time since 1979, young Washingtonians seeking jobs through the program were not guaranteed a slot.  Sensing the tension around the budget cuts, Dixon appealed to the business community to help fill the void, effectively gambling with what might be considered Marion Barry's signature program.