Art

Edith Roosevelt's official portrait as First Lady was created by the renowned French artist Théobald Chartran in 1902. Throughout France and the United States, critics praised Chartran's work, applauding his ability to showcase Mrs. Roosevelt's distinctive character and beauty. Unsurprisingly, then, President Theodore Roosevelt wanted a portrait of himself that was equally as flattering. But, in truth, he was not the most pleasant subject to paint.

When I.M. Pei, the celebrated Chinese-American architect from New York, was selected to design a new addition for D.C.’s National Gallery of Art, the Washington Post’s architecture critic remarked it was “no doubt one of the toughest [assignments] since Michelangelo was asked to put a dome on St. Peter’s.” Pei knew it would be a difficult task to build the new gallery, but that did not deter him. This is the story of how one of Washington's most unique buildings came to be.   

In 1915, The Birth of a Nation was a controversial blockbuster and a D.C. schoolteacher, Angelina Weld Grimké, was a writer unafraid to use her art as form of protest.  This is the story of "Rachel," an acclaimed anti-lynching play written in Washington, D.C.

In 1956, the Woodward & Lothrop department store in Washington DC, located at 11th and F St NW, hosted a traveling exhibit purporting to showcase the “American Dream.” Woodward & Lothrop, or “Woody’s” as it was affectionately called, was a staple in the city for over one hundred years, from the late 1800s to 1995, when it merged with another company. During the "Era of Department Stores," a period lasting from the '30s to the '70s when department stores were the main mode of shopping for the American family, Woodward & Lothrop was the King of DC. This is probably why the store felt entirely comfortable hosting the “American Dream” exhibit, and the exhibit’s main draw: four watercolors painted between 1917 and 1919 by Adolf Hitler.

Sitting on the waterfront of the Potomac River, the 85,000 square foot Torpedo Factory Art Center in Alexandria is a landmark of Northern Virginia history. Today, the building houses artist studios, galleries, art workshops, and even an archeology museum. Yet during the tumultuous years of World War II, workers produced something very different in the space — the Mark 14 submarine torpedo used by U.S. Navy personnel in the Pacific theater of the war. Over 70 years after its decommissioning as a munitions depot, the history of the Torpedo Factory is a fascinating tale of politics, faulty weapon engineering, and local spirit.

In the U.S. Senate's sculpture collection, there are plenty of busts of instantly recognizable historical figures such as Presidents Theodore Roosevelt and Abraham Lincoln. But enshrined alongside them, there's also the lushly-bearded, bowtie-wearing likeness of an obscure 19th Century Italian-American artist. While Brumidi, who signed his work "C. Brumidi Artist Citizen of the U.S.," isn't a famous name, he left a lasting mark on the U.S. Capitol, by creating striking frescoes and murals that add charm and grace to the building's interior.

From 1984 to 1994 photographer Michael Horsley walked the streets of Washington, D.C., photographing the unseen and vanishing moments at a time when many inner-city neighborhoods still showed the effects of the 1968 riots. These images were tucked away in his private collection for almost 25 years until he published them on Flickr in 2010.

The Peacock Room at the Smithsonian's Freer Gallery was first designed by architect Thomas Jekyll in 1876 to serve as a dining room for the wealthy British shipping magnate Frederick Leyland, who planned to make James Whistler’s painting, Princesse du pays de la porcelaine the centerpiece of the room. Whistler, however, hijacked the project and repainted the room extravagantly, covering the walls with gilded patterns and ornate peacocks. So how did this treasure find its way to Washington? Well, it’s a little complicated, but we can thank Teddy Roosevelt.

In 1959 a bungled art theft at Washington's Corcoran Gallery of Art left a rare Rembrandt slashed and hurriedly restored, revealing as much mystery about the painting’s past as about the unknown thief who tried to steal it.

The Washington, D.C. area has plenty of monuments and grand statues, to be sure. But Takoma Park, Maryland, has one that stands out from the rest: A life-size bronze likeness of a rooster on a pedestal, which thrusts his feathered chest jauntily at passers-by, as if it owned the town. Which, in fact, he once did.