No doubt D.C. music fans were intrigued when they picked up the Washington City Paper on September 23, 1983: "Funk funk funk funk it up at the pick of the picks tonite…a combination of punk and funk that should be the hottest show of the summer." For the first time, Trouble Funk and Minor Threat would be performing together. The show melded D.C.'s dominant homegrown music styles, Go-go and Hardcore Punk, and promised to be a concert like no other.
As Washington, D.C. has become more gentrified, leaving much of its former history and culture behind, mumbo sauce is one aspect of D.C.'s homegrown culture that has managed to stick around. However, even mumbo sauce's place in the shifting scene of D.C. has been challenged in recent years.
Go-go music is a signature Washington, D.C. sound and the D.C. Public Library has started an archive to preserve its history. Archivist Derek Gray is leading the charge and is seeking heirlooms related to the D.C. go-go scene: CDs and audio recordings of Chuck Brown and other go-go artists, flyers, posters, event advertisements, photographs, videos, DVDs, and other memorabilia. Help preserve the legacy of D.C.’s homegrown sound for future generations!
“There ain’t no party like an R.E. party, cause an R.E. party don’t stop.” Rare Essence, known around the DMV as “the most wickedest band alive,” has been one of the region’s most popular go-go acts for over 40 years despite several setbacks which could have easily ended the party.
A previous post detailed the eclectic history of the Uline Arena, also known as Washington Coliseum, the barrel-roofed hall that from the 1940s through the 1980s hosted everything from hockey and basketball to a rodeo featuring Roy Rogers and Trigger. But the arena, located at the corner of M and 2nd Street NE with an entrance on 3rd Street, also has a rich musical history. Jazz great Charlie Parker played there in April 1951, on a bill that also included June Christie and Johnny Hodges. A decade later, Duke Ellington and his orchestra played to a packed house as part of the First International Jazz Festival in Washington. Country star — and Winchester, Virginia native! — Patsy Cline was scheduled to play there 10 days after her death in March 1963. (Dottie West took her place.) Of all the acts to play the old Coliseum, the Beatles show on February 11, 1964 probably takes the cake.
Chuck Brown, Trouble Funk, Rare Essence, Minor Threat, SOA.
If you lived in DC in the 1980s, you probably recognize these as local Go-Go and hardcore bands. If that's the case, the Corcoran Gallery of Art’s exhibit, Pump Me Up, is sure to invoke nostalgia. For those who have come here more recently, the exhibit offers a rare opportunity to see how much DC has changed in the last thirty years. (You definitely get a different image of the 80s than at a Legwarmers concert at the State Theatre!) Either way, it's worth a visit.
To put it mildly, the 1980s was a tumultuous period for the District of Columbia. There was a lot going on and homegrown music was right at the center of the city's experience.
