Go-go

No doubt D.C. music fans were intrigued when they picked up the Washington City Paper on September 23, 1983: "Funk funk funk funk it up at the pick of the picks tonite…a combination of punk and funk that should be the hottest show of the summer." For the first time, Trouble Funk and Minor Threat would be performing together. The show melded D.C.'s dominant homegrown music styles, Go-go and Hardcore Punk, and promised to be a concert like no other.

As Washington, D.C. has become more gentrified, leaving much of its former history and culture behind, mumbo sauce is one aspect of D.C.'s homegrown culture that has managed to stick around. However, even mumbo sauce's place in the shifting scene of D.C. has been challenged in recent years. 

Go-go music is a signature Washington, D.C. sound and the D.C. Public Library has started an archive to preserve its history. Archivist Derek Gray is leading the charge and is seeking heirlooms related to the D.C. go-go scene: CDs and audio recordings of Chuck Brown and other go-go artists, flyers, posters, event advertisements, photographs, videos, DVDs, and other memorabilia. Help preserve the legacy of D.C.’s homegrown sound for future generations!

“There ain’t no party like an R.E. party, cause an R.E. party don’t stop.” Rare Essence, known around the DMV as “the most wickedest band alive,” has been one of the region’s most popular go-go acts for over 40  years despite several setbacks which could have easily ended the party.  

From Charlie Parker and Duke Ellington to the Beatles’ riotous 1964 U.S. debut—when fans pelted the band with jellybeans—the Uline Arena hosted decades of musical milestones.

Chuck Brown, Trouble Funk, Rare Essence, Minor Threat, SOA... If you lived in DC in the 1980s, you probably recognize these as local Go-Go and hardcore bands. If that's the case, the Corcoran Gallery of Art’s exhibit, Pump Me Up, is sure to invoke nostalgia. For those who have come here more recently, the exhibit offers a rare opportunity to see how much DC has changed in the last thirty years and how homegrown music was right at the center of the city's experience.