Today, the K-Pop phenomenon has taken the world by storm; but it seems that American fascination with Korean music goes all the way back to the late 1800s, 1896 to be exact. Long before bands like BTS sold out stadiums, there were seven Korean (then called Chosun) students whose singing captured the attention of “dozens of damsels” at Howard University.
The soundtrack of the summer of 1976 was a special one. Just after the USA celebrated its Bicentennial, one unlikely song, with its folksy style and airtight harmonization, soared past the countless disco tunes to the number 1 spot on the Billboard charts. No matter how you feel about it, “Afternoon Delight” was perhaps the perfect way to celebrate our independence. With lyrics referencing “skyrockets in flight,” the song (and the band behind it) has a very strong connection to the Nation’s Capital.
It all started in 1974, when musicians Bill Danoff and Margot Chapman stopped at Clyde’s in Georgetown for a meal...
April 17, 1970 was a big day for the United States—President Richard Nixon even described it as the “proudest day of [his] life and in the life of the country.” That afternoon, the ill-fated Apollo 13 crew splashed down in the Pacific Ocean and made it to safety. The nation breathed a collective sigh of relief.
But the day wasn’t over yet. That evening, President Nixon would sit in the East Room of the White House for another cultural milestone: a legendary performance by country music star Johnny Cash.
What songs come to mind when you think of Washington, D.C.? Maybe Go-go music, or patriotic Sousa marches? Then of course there’s the “official” song, that instantly recognizable classic— “Washington,” by Jimmie Dodd (Yes, the composer is the same grown man who went on to lead the Mouseketeers in the original “Mickey Mouse Club” in 1955).
Doesn’t ring a bell? Don’t worry, you’re not alone.
On the evening of October 30, 1944, hundreds of people filled the seats of the Coolidge Auditorium in the Library of Congress for the 10th annual festival of chamber music. In the last performance of the night, the audience was transported to rural, 1800’s Pennsylvania through Aaron Copland’s musical masterpiece, Appalachian Spring. The ballet, featuring choreography by renowned American dancer, Martha Graham, enjoyed an overwhelmingly positive premiere that night, and became the most well-known piece of music commissioned by the Coolidge Foundation and Elizabeth Sprague Coolidge—the “patron saint of American music.”
“There ain’t no party like an R.E. party, cause an R.E. party don’t stop.” Rare Essence, known around the DMV as “the most wickedest band alive,” has been one of the region’s most popular go-go acts for over 40 years despite several setbacks which could have easily ended the party.
On June 11, 1989, 8,000 WHFS 99.1 listeners crowded into the parking lot in front of Joe’s Record Paradise in Wheaton, Maryland for an eight hour concert to protest, station owner, Duchossois Inc.’s, decision to remove Damian Einstein from the airways. Damian introduced the DMV to the newest music before it exploded on the national scene, and his sudden absence from the airways shocked WHFS’s most loyal fans who feared that Duchossois intended to move on from the progressive rock format. Centered on the freewheeling deejay, the progressive rock format defined WHFS defined the station since 1968.
Fans were right to be concerned. Over the course of the next decade, WHFS ditched the deejay for “gold-throated “on-air personalities who aired songs from corporately manufactured playlists. While these changes initially earned the station a score of new fans, by the end of the decade, it was clear that WHFS lost the loyal support of their “bumper-stickered fans” who felt as if they lost a friend.
After the 1968 riots ravaged U Street, the famed Lincoln Theatre fell into disrepair. On the evening of February 4, 1994, however,1,200 invited guests attended a reopening gala for the Lincoln following a massive restoration project. For the first time in over 25 years, the burgundy curtain was rising on the Lincoln’s 38-foot-wide stage, and guests in attendance that night said that entering the restored theatre was like “stepping back in time.”
Born in Asheville, North Carolina, Roberta Flack started playing the piano at an early age. When she was five, her family moved to the Nauck community in Arlington and she took up the organ, lending her musical talents to Macedonia Baptist Church. At 15, she entered Howard University with a full music scholarship and, by 19, she was a college graduate seeking.
She accepted a position in a segregated school district in Farmville, North Carolina and wound up being the only music teacher for 1300 students, kindergarten through 12th grade. “I lost 40 pounds and almost had a nervous breakdown but we did some beautiful things that year.”
Flack returned to Washington and taught at Rabaut Junior High School and Brown Junior High School. In the evenings, she started performing – first at the Tivoli Opera House in Georgetown and then at Mr. Henry’s, a Capitol Hill nightclub at 6th and Pennsylvania Ave, SE, which was owned by Henry Yaffe.
Brazil, the site of the 2014 FIFA World Cup, is known for transforming the game of soccer with the free-wheeling offensive style that its great players pioneered. But Brazil also has another creative export that's nearly as famous as soccer virtuosos Pele or Ronaldo — bossa nova, a hybrid of jazz and Brazil's own African-influenced Samba music. Oddly, though, it was an album recorded in Washington, DC in February 1962, that helped popularize bossa nova as an international sensation.
