There was a period, from the late 1940s until the early 1960s, when Washington, D.C. was a veritable Nashville on the Potomac, a mecca that provided country performers a chance to get their records played, and to perform before big audiences. The man who was most responsible for the District's country preeminence was a charismatic impressario who originally hailed from Lizard Lick, N.C. named Connie Barriot Gay.
Elvis Presley made headlines when he showed up at the White House unannounced and offered his services to President Nixon to fight the war on drugs in 1970. It was an odd event, which led to an even odder photo. But the Elvis-Nixon meeting was memorable for another reason: It was one of only four appearances that Elvis ever made in the Washington, D.C. area.
Elvis' first visit to Washington was on March 23, 1956 — the same day, by coincidence, that his first full-length album, Elvis Presley, was released. Col. Tom Parker, who was in the process of taking over as the 21-year-old singer's manager, had close ties to Washington-based country disc jockey, manager and promoter Connie B. Gay, who booked Elvis to headline a floating concert on the S.S. Mount Vernon, a small ship that sailed the Potomac.
Rock singer, songwriter and guitarist Lou Reed, who died on October 27, 2013 at age 71, is best known as a lyrical chronicler of New York City's debached avant garde subculture of the 1960s, a time when his band, the Velvet Underground, provided the soundtrack for artist Andy Warhol's druggy, gender-bending milieu.
But Reed also could claim an intriguing distinction in the musical history of the nation's capital. The Rock and Roll Hall of Fame inductee once was called upon to provide musical entertainment at the White House, at the request of a visiting foreign head of state.
It was the summer of 1967 and The Doors’ single “Light My Fire” was racing up the Billboard music charts. The band found itself headlining large venues and even made an appearance on American Bandstand. But one date on the tour schedule might have stood out to front man Jim Morrison more than any other. (Not that he would’ve told anyone.)
On August 18, 1967, the band played an odd D.C. area double-header: a 7:30pm show at the National Guard Armory in Annapolis, Maryland, and a late night show at the Alexandria Roller Rink Arena in Alexandria, Virginia. It was the only time The Doors played two separate concerts at different venues in the same evening. And, for Morrison, it was a homecoming of sorts.
It's one of the eternal questions argued by classic rock aficionados — which of these virtuoso power trios could rock the hardest? Perhaps the only people qualified to make that call were those lucky enough to be at Merriweather Post Pavilion in Columbia, Md. on the night of Sunday, May 25, 1969, when Led Zeppelin opened for The Who in one of the most epic double bills in rock history. It was a pairing of hall of fame live acts that would never be seen again on the same stage.
