In 1915, The Birth of a Nation was a controversial blockbuster and a D.C. schoolteacher, Angelina Weld Grimké, was a writer unafraid to use her art as form of protest. This is the story of "Rachel," an acclaimed anti-lynching play written in Washington, D.C.
On March 3, 1913, one day before the inauguration of President Woodrow Wilson, 5,000 women marched on Pennsylvania Avenue to demand women's suffrage. Though their parade was met with violence from the crowd, the suffragettes kept marching toward the vote.
At 10 o’clock in the morning on January 10, 1917, 12 women from the National Woman’s Party took up posts outside the White House entrances. They stood in silence, wearing purple, yellow, and white ribbons, and holding large banners, which read: “Mr. President, what will you do for woman suffrage?” By the fall, many of the picketers had been jailed and reports of prison abuse hit the newswires.
Washington in the 1910s was apparently the place for sheep. Over the decade, at least two herds were brought into the capital to graze in the shadow of the nation’s most treasured monuments.
In 1914 Arlington National Cemetery unveiled a towering Confederate monument. At the time, advocates framed it as an effort toheal a divided nation but at the same time, the memorial was steeped in Lost Cause imagery. A century later its presence—and removal—became a flashpoint in America’s reckoning with race and memory.