As the deadline to ratify the Equal Rights Amendment lapsed in June 1982, the amendment's foes celebrated its demise while its proponents looked to the future to continue the struggle.
Returning to campus for the new school year in 1937, Howard University’s students received grim news: one of their deans, Lucy Diggs Slowe, was “reputed critically ill with pleurisy. Her condition was such on Tuesday that relatives were called to her bedside.” After 15 years at the university, Slowe was a staple to the campus and its students – many of the women enrolled at the college saw her has a mentor and advocate for their education at Howard.
What the headline didn’t mention was what some believed was the cause of her declining health. There were rumblings that it was the efforts of key Howard University staff that had caused her illness, and they wouldn’t stop until Slowe left the school for good.
Who was Lucy Diggs Slowe, and what led to such harsh conflict between her and the university?
As the deadline to ratify the Equal Rights Amendment approached, proponents of the amendment held what was then known as the "largest parade for feminism in history" to pressure Congress for an extension to the ratification date.
On January 7, 1993, an alarming headline greeted readers of The Washington Post: “25 HOUSES EVACUATED AS WWI SHELLS EXAMINED.” The previous day, a backhoe operator digging a trench in the Spring Valley neighborhood of Northwest Washington had uncovered a suspicious object. The construction company called the D.C. Fire Department… who called the police… who called the bomb squad. Within hours, 25 homes in the upscale neighborhood had been temporarily evacuated as munitions crews from the Army Technical Escort Unit at Aberdeen Proving Grounds investigated. Their verdict? The objects were unexploded mortar and artillery shells – and there might be more in the area.
The country’s first modern art museum was established 100 years ago in a Dupont Circle townhouse. And since the Phillips Collection celebrated its centenary last year, it’s a great time to remind Washingtonians that their city has a rich art history—largely exemplified by the story of this museum.
For the first weeks of his presidency, Calvin Coolidge conducted business from a different iconic D.C. residence — the Willard Hotel. The Coolidges lived at the hotel while he was Vice President and they waited to move to the White House until Warren Harding’s family had time to move out after he died in office.
In 1923, Washington Post publisher Ned McLean became embroiled in the Teapot Dome scandal — and turned his paper into a national laughingstock in the process.
By 1934, BIA Commissioner John Collier believed that land allotment and other policies meant to help Native Americans were doing more harm than good, and he wanted to reverse them through an ambitious bill known as the Indian Reorganization Act (also called the Wheeler-Howard Act). Collier’s bill would not only nullify the land allotment policy, but it would also allow Native American tribes to govern themselves, decentralize the BIA, consolidate Native land, and transfer Indigenous children from boarding schools to day schools.
Gay rights activist Larry “Deacon” Maccubbin was at a party with friends in 1975 when the topic of New York Pride eventually came up. As they were discussing who would be going, one of his friends asked why their own city, Washington, D.C., didn’t have a similar event ─ it was the nation’s capital, after all. The idea stuck in Maccubin’s head.
By the late 1950s, Shirley Horn had performed all up and down the U Street corridor a countless number of times, but her show at the Howard Theatre one October night in 1958 was particularly memorable for her. The jazz pianist and singer happened to be in the ninth month of her pregnancy at the time and was expecting the baby to be due any day.
