Earl Lloyd was a rising basketball star at West Virginia State College, but little did he know how soon he would become an important part of sports history. Toward the end of Lloyd’s senior season he was heading to class with a classmate and she told him she heard his name on the radio that day. Unaware of what she was referring to, Lloyd simply asked what she heard. She told him some team in Washington called the Washington Capitols had drafted him.
“You’re going to Washington and they’re going to try you guys out, so show them your best,” said Lloyd’s college coach, Marquis Caldwell. Being from Alexandria, Virginia, it was almost a homecoming party for Earl Lloyd. Before he was at West Virginia State, he graduated from Parker-Gray High School in 1946, Alexandria’s only African-American high school.
Addison Scurlock dressed in a suit and tie whenever he held a camera. Confident and serious about his work and his appearance, he presented himself to the world the same way that he presented his subjects.
Scurlock was only 17 when he moved to Washington and listed “photographer” as his profession in the 1900 census. He apprenticed with a white photographer for three years before opening his own studio in his parents’ house. By 1911 he had a studio in northwest Washington, and soon he had two apprentices of his own: his sons, Robert and George. As adults, they joined him in the photography business.
“I would describe my father as very intense, in all of his endeavors,” Robert Scurlock said in a 2003 interview. “He had a lot of drive to him. If he saw something he wanted to explore, he would find all means of doing it.”
The history of the Bears can be traced back to the D.C.’s journalism pioneer Harold “Hal” Jackson. In 1939, Jackson began broadcasting Howard University’s home baseball games and the Negro League baseball team, The Homestead Grays. In 1941, Jackson used his popularity and sports business savvy to organize a new all-black basketball team in the District.
In the 1940s, Jim Crow held strong in Arlington, Virginia. African-Americans encountered discrimination at segregated eating establishments, businesses and recreation facilities. Even access to medical care was divided along racial lines.
African American mothers were barred from the maternity ward at Arlington Hospital and were expected to travel to hospitals in Washington, D.C. or Alexandria to give birth. For many black Arlingtonians, getting to D.C. was difficult – especially in a medical emergency – as many could not afford cars of their own.
In 1947, three men with bright ideas and business ingenuity stepped up to fill the void.
In 1964, SNCC focused efforts on black voter registration and education in Mississippi, which had the lowest percentage of African-Americans registered to vote in the country (a startling 6.7% as of 1962). The group recruited hundreds of volunteers from college campuses across the nation to come to the state to canvass.
The 1964 Freedom Summer movement in Mississippi does not generally conjure up images of the nation’s capital. But a few of the organizers had strong ties to the District.
It was a long wait for sculptors and local politicians.
Since 2008, a seven-foot tall, 1,700 pound bronze statue of abolitionist Frederick Douglass stood in the lobby of a building called One Judiciary Square. It remained there for five years while Washington officials fought to move it to another building less than a mile down the road: the U.S. Capitol.
Today marks the one-year anniversary of the unveiling of Douglass’ statue in the Capitol Visitor Center’s Emancipation Hall. The ceremony was the culmination of a fight spanning over a decade.
“God gave me a talent, and that talent was verbal skills." Critically acclaimed as America’s first “shock jock,” Petey Greene had the mouth and charisma to roar in the ears of people in the streets of Washington, D.C. His impact was no more apparent than in April of 1968 during the aftermath of Dr. Martin Luther King’s assassination.
Running down the streets outraged, a group of about thirty young people burst into a drug store. “Martin Luther King is dead,” they shouted. “Close the store down!” 26-year old Stokely Carmichael, former chairman of the SNNC and the initiator of the what became the “Black Power Movement” in 1967, led Washington, D.C. civilians down the streets demanding that all businesses close out of respect of the death of King.
Although the initial goal was to maintain peace, things quickly went out of Carmichael’s hands. Emotions boiled and violence broke out.
The PBS documentary The Trials of Muhammad Ali, covers the boxing champ's struggles outside the ring during the tumultuous mid-1960s, and his emergence as a symbol of protest and dissent for young people of that time. Ali's duality as a firebrand activist and a revolutionary icon is examplified, in some ways, by his controversial appearance at Howard University in April 22, 1967, where he gave a speech to African-American students just days before he refused induction in the armed forces, which led to his indictment and conviction for draft evasion.
In 1939, in what became one of the most painful moments in Washington music history, celebrated African-American singer Marian Anderson was denied an opportunity to perform for an integrated audience at Constitution Hall because of her race. Then-First Lady Eleanor Roosevelt resigned her membership in the Daughters of the American Revolution, which owned and operated the concert hall. Anderson's manager, Sol Hurok, capitalized on the First Lady's support to seek federal government approval for the singer give an open-air performance instead.
On April 9 of that year, a crowd of 75,000 people, which included Secretary of the Interior Harold Ickes and Supreme Court Justice Hugo Black, gathered in front of the Lincoln Memorial and listened to Anderson sing "My Country, 'Tis of Thee" on the memorial's steps. According to the New York Times' account, six microphones carried Anderson's voice to millions of radio listeners throughout the country.
Nowadays the NCAA Men’s Basketball Final Four is played in huge football stadiums that can seat 50,000 or more fans. But that wasn’t always the case. Back in the day, the games took place in much smaller, on-campus arenas and the media coverage was paltry compared to what we see now. Such was the case in 1966, when the University of Maryland’s Cole Field House hosted college basketball’s final weekend.
That might not sound like a big deal, but with the way the tournament unfolded, the 1966 championship game proved to be a major event in the civil rights movement.
