• Beatles at the Washington Coliseum, February 11, 1964. (Credit: Mike Mitchell)
    Music History
     
     
    America's Beatlemania began in DC when the Fab Four played their first US concert on February 11, 1964 at the Washington Coliseum.
  • Roberta Flack in 1971 (Source: Wikimedia Commons)
    Music History
     
     
    Arlington, Virginia native Roberta Flack developed her musical style at Mr. Henry's restaurant on Capitol Hill.
  • Tractorcade photo by Jeff Tinsley, Smithsonian Institution Archives, Negative Number: 79-1700-29.
    Tractorcade 1979
     
     
    In February 1979, thousands of farmers came to Washington on tractors to demonstrate for agriculture policy reform. They snarled traffic for weeks but then came to the rescue when an unexpected blizzard buried the city under two feet of snow.
  • Alexander Robey Shepherd
     
     
    Perhaps no person is more responsible for transforming Washington, D.C. than Alexander Shepherd, who served as the District's Governor under the short-lived Territorial Government system in the 1870s.
  • Andrew Jackson
    Politics
     
     
    The vicious election of 1828 ended with a fractured nation, a partisan media, a populist in the White House, and a rowdy party at the White House.

Ebola Comes to Reston

Transmission Electron Micrograph of the Ebola Virus (Reston virus strain). Hemorrhagic Fever, RNA Virus. From CDC (Source: Wikipedia)

On October 4, 1989, a primate quarantine unit in Reston received a shipment of 100 monkeys from a Philippine facility. By November, nearly one-third of the animals had died – a much higher percentage than normal – of mysterious causes. Dan Dalgard, the consulting veterinarian of the unit, was alarmed and contacted the US Army Medical Research Institute (USAMRIID). Dalgard talked to Peter Jahrling, a virologist at USAMRIID, who told him to send a few samples of the dead monkeys. Neither one of them was prepared for what they found. 

From Crystal City to Cuba: The Tullers' International Crime Spree

Bullet hole in the door of Arlington Trust Company bank in Crystal City, where the Tuller's crime spree began in 1972. (Reprinted with permission of DC Public Library, Star Collection © Washington Post)

At 10:30am on October 25, 1972, two workers stepped out of a C&P Telephone van and into the Crystal City branch of the Arlington Trust Company. The bank’s phones had been down for nearly half an hour and manager Henry “Bud” Candee was eager to resume normal business. He met the repairmen in the lobby and led them to a service panel at the back of the bank. Unbeknownst to Candee, the technicians were frauds. They had stolen the uniforms and the van and had themselves caused the phone outage by climbing down a nearby manhole and severing the bank’s phone lines. But what was meant to be a relatively simple robbery, turned out to be the first act in one of the most dramatic – and bizarre – crime sprees in U.S. history.

Ford's Theatre sign. (Credit: Flick user @mr_t_in_dc Licensed via Creative Commons Attribution-NonCommercial-NoDerivs 2.0 Generic)

The Curtain Rises Again at Ford's Theatre

As we’ve discussed previously on this blog, President Lincoln wasn’t the only victim when he was shot by John Wilkes Booth at Ford’s Theatre on April 14, 1865. There were several others who were victimized that night – some hauntingly so. What sometimes gets lost, though, is the impact of the assassination on the theater itself.

The Congressional Bathtubs

“A Senate bathtub, as it appears today. Six tubs were installed in a basement room in the Senate wing of the Capitol in 1859 to provide bathing facilities for senators” (Photo Credit: Senate Historical Office) https://www.senate.gov/artandhistory/history/common/image/Senate_Bathtubs.htm

Deep in the basement of the U.S. Capitol Building, used to stand six bathtubs, hand-carved from Italian Carrara marble. These tubs were installed intially as a practical bathing option for Congressmen living in D.C. boarding houses with primitive bathing facilities. Although mostly forgotten by the 1890's once the new Washington Aqueduct provided running water to most homes in the area, these exquisite tubs were once a popular attraction for Congressmen and their visitors alike.

Sarah Agnes Rice Pryor (Source: Wikipedia)

Impressions of Washington: Sarah Pryor, 1859 - 1861

Sarah Pryor (1830-1912), the daughter of a wealthy Virginian family, lived in Washington from 1859 until the outbreak of the Civil War. In her memoirs written in 1909, she recounts the grand society of antebellum D.C. and the shift to war tensions.

On her earliest memories of Washington

Washington was like a great village in the days of President Pierce and President Buchanan…. my heart would swell within me at every glimpse of the Capitol: from the moment it rose like a white cloud above the smoke and mists… the moment when a point on the unfinished dome glowed like a great blazing star after the sun had really gone down. No matter whether suns rose or set, there was the star of our country - the star of our hearts and hopes.

More after the jump!

What is the True Story Behind Georgetown's Gun Barrel Fence?

Gun Barrel Fence (Credit: Callum Cleary)

At first sight, the old wrought iron fence on the corner of P and 28th streets appears indistinct from the many other railings that skirt Georgetown’s redbrick sidewalks. Upon closer inspection, however, it’s clear this fence is unique. Cracks in some of the pickets reveal that although each upright is hollow, the walls of the pickets are far thicker than is structurally necessary for a perimeter fence. Plus, a number of the pickets feature small nubs just below the attached spikes, which, even to the untrained eye, resemble gun sights. While the Gun Barrel Fence has long been a Georgetown landmark, the fence’s origins remain shrouded in mystery and misconception. Let’s bust some myths, shall we?

A Forgotten Fight? Kicking Bear and the Dumbarton Bridge

Kicking Bear Bust on Dumbarton Bridge

Dumbarton Bridge is nestled between Georgetown and Dupont Circle. Bronze Buffalo guard the approaches and fifty six identical sculptures of a Native American man line the base of the bridge’s second tier of arches. Chosen to provide a distinctly “American character,” these design features are reflective of an artistic movement that idealized European settlement and western expansion. Ironically, the man depicted by the replicate busts spent his entire life fighting European settlement.

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